Comparing James Joyces Araby and Ernest Hemingways A Clean, Well-Ligh

Comparing James Joyces Araby and Ernest Hemingways A Clean, well-lighted PlaceAs diverging as James Joyces Araby and Ernest Hemingways A Clean, Well-Lighted Place are in style, they handle many of the same themes. Both stories explore hope, anguish, faith, and despair. While Araby depicts a spring chicken being set up for his first great disappointment, and A Clean, Well-Lighted Place shows two older men who have long ago colonized for despair, both stories use a number of analogous symbols, and lap over each other thematically.At the beginning of Araby, the narrator describes the streets lamps as lifting their feeble lanterns towards an changing violet sky (227). The colour violet is both dark and rich. The sky, this deep, mysterious colour, and always mutating, send words the expanse of unknown beyond mortal experience. The feeble lights which fail to carrier bag the lowest tufts of cloud resemble the people who look out into the fog of unanswerable questions who can never hop e to find anything but the shapes one reads in, give care hillside skywatchers.The narrators character goes around looking up. First at Mangans sister from the shadow, from the floor, and from the subordinate position of an admirer. Then, more metaphorically, he looks up to an image hes built for himself an expectation of dish antenna and treasures an enthusiastic hope or hopeful enthusiasm that his pilgrimage to Araby will yield him if not the answer (to the question which manifests as a nameless longing), whence the key to the answer. This answer is represented by Mangans sister (whose name is not mentioned, as with the Hebrew G-d), whom the male child hopes to access through the gesture of his quest.1 At the end, the boy looks up again, like the l... ...othing in it. Hemingways old man walks away from the bar with dignity, but with hope long vanished. The older waiter, another faithless man, is resigned to nothingness. His mockery of Christian prayer is not angry, but spoke n with a smile and a sigh. However, as indicated by his insomnia, Nada is a cold bedfellow. Works Cited Hemingway, Ernest. A Clean, Well-Lighted Place. Kirszner and Mandell 233. Joyce, James. Araby. Kirszner and Mandell 226. Kirszner, Laurie, and Stephen Mandell, eds. Literature Reading, Reacting, Writing. Compact Fourth Edition. New York Harcourt College Publishers, 2000. 1This character may also stand as a sexual symbol. The bracelet she handles when she speaks of the convent may suggest that she is shackled to Catholic prudery. In any case, she still stands as the desired, physically or metaphysically.